Editor, Entertech Review
Covers how technology is changing the entertainment industry, written for the people who work in it. Focuses on AI music and video generation, fandom platforms, and artist information management.
Ten K-pop teams, four questions each, four conditions, 280 responses checked against a verified answer key. Error rates ran from 3.8% to 40%. The widest gap turned up inside a single model: whether it was connected to search mattered more than which model it was.
A story goes around that an unknown bartender got over a million dollars for the use of his face, while Chinese actor group chats fill with notices offering 100 yuan to buy a face. The same likeness right is splitting tens of thousands of times in value. How it became possible, what sets a face's price, and what agencies, artists, and advertisers each need to prepare.
That AI makes content is no longer news. The real shift is starting in how agencies run. What you can hand an agent, and where it breaks, from someone who has actually built one.
The demo era is over. As AI video settles into the base layer of the business, here's what changes for you, wherever you sit in the value chain.
A two-year-old track climbed to Melon's top 3. RESCENE's reverse-run started in self-produced content, and Solfa Studio is the company behind it.